Collection Studio Ghibli Le Voyage De Chihiro

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In the United Kingdom, the film was watched by 670,000 viewers on BBC2 in 2010. This made it the year's most-watched foreign-language film on BBC, and the year's second highest foreign film on UK television (below the Indian Bollywood film Om Shanti Om). [96] Spirited Away was later watched by 300,000 UK viewers on BBC2 in 2011, making it the year's most-watched foreign-language film on BBC2. [97] Combined, the film drew a 970,000 UK television viewership on BBC2 between 2010 and 2011. a b c d e f g h i j k l m n o p et q (en) Noriko T. Reider, « Spirited Away: Film of the Fantastic and Evolving Japanese Folk Symbols», Film Criticism, vol.29, n o3,‎ 2005, p.4-27 ( lire en ligne [PDF]) . Wild Bunch adds Spirited Away, amongst others". Archived from the original on 13 September 2021 . Retrieved 13 September 2021. Geortz, Dee (2009). "The hero with the thousand-and-first face: Miyazaki's girl quester in Spirited away and Campbell's Monomyth". In Perlich, John; Whitt, David (eds.). Millennial Mythmaking: Essays on the Power of Science Fiction and Fantasy Literature, Films and Games. McFarland. ISBN 978-0-7864-4562-2. en) Noriko T. Reider, « Spirited Away: Film of the Fantastic and Evolving Japanese Folk Symbols», Film Criticism, vol.29, n o3,‎ 2005, p.4-27 ( lire en ligne [PDF]) .

Sen', c'est Chihiro déshumanisée dans une société de travail et de consommation.» Réflexions sur Le Voyage de Chihiro.Stéphane Le Roux, Hayao Miyazaki, cinéaste en animation: poésie de l'insolite, Paris/Rennes, L'Harmatan, 2011, 195 p. ( ISBN 978-2-296-55074-2, lire en ligne) . Herskovitz, Jon (15 December 1999). " 'Mononoke' creator Miyazaki toons up pic". Variety. Archived from the original on 24 February 2020 . Retrieved 24 February 2020.

Similar to the Japanese concept of On, the film can be partly understood as an exploration of the effect of greediness and Western consumerism on traditional Japanese culture. [42] For instance, Yubaba is stylistically unique within the bathhouse, wearing a Western dress and living among European décor and furnishings, in contrast with the minimalist Japanese style of her employees' quarters, representing the Western capitalist influence over Japan in its Meiji period and beyond. Along with its function within the ostensible coming of age theme, Yubaba's act of taking Chihiro's name and replacing it with Sen (an alternate reading of chi, the first character in Chihiro's name, lit. 'one thousand') can be thought of as symbolic of capitalism's single-minded concern with value. [39] a b c "Yumi Kimura". Nausicaa.net. Archived from the original on 20 April 2012 . Retrieved 1 September 2013. en) Dani Cavallaro, The Animé Art of Hayao Miyazaki, Jefferson, McFarland, 2006, 204 p. ( ISBN 978-0-7864-2369-9, lire en ligne) .

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Sauf indication contraire ou complémentaire, les informations mentionnées dans cette section peuvent être confirmées par la base de données IMDb.